French and British Colonialism Bibliography usage :: essays research papers

Theme: What were the inheritances of French and British imperialism in Sub-Saharan Africa? How comparable/diverse were those inheritances? Paul Nugent. (2004). Africa Since Independence. Palgrave Macmillan This is a similar investigation of the various directions and encounters of autonomous African states. It tends to the differential heritages of British, French, Portuguese, Belgian and Spanish expansionism just as the novel characteristics of magnificent Ethiopia and Liberia Richard Hughes (2003). Capricorn: David Stirling's African Campaign. Radcliffe Press Capricorn is the account of a little band of romantics in the prior decade autonomy that accepted a future without racial separation would permit the nations of east and focal Africa to succeed. Story wises the impacts of the fierce history of post-provincial Africa and its failure to optimists and to government officials who sought after harmony in nations liberated from European control. Recovered July 2004 from: Nicholas Pederson, ACDIS-Arms Control Disarmament and International Security, French Colonialism in Africa at: www.acdis.uiuc.edu/Research/OPs/Pederson/html/substance/sect3.html This arrangement paper subtleties France’s requirement for uranium, an asset made a favorable position to France by its expansionism in Africa. The paper additionally subtleties the occasions of Africa’s biggest and longest enduring frontier domains ever the French Colony. Subtleties factors engaged with the choice to seek after African based states and subtleties the thoughts engaged with acclimatizing and partner the African individuals into French culture. Recovered July 2004 from: Nicholas Pederson, ACDIS-Arms Control Disarmament and International Security French Colonialism In Africa Post-WWII at: www.acdis.uiuc.edu/Research/OPs/sect4.html The paper subtleties the start of the finish of French Colonialism in Africa by Charles de Gaulle formation of the Fifth French Republic in 1958 and his coming to control. Recovered July 2004 from: University of Nothern Iowa, Geographic Alliance of Iowa: Standard Four: The Human Characteristics of Nigeria at: www.uni.edu/gai/Nigeria/Background The article subtleties the occasions of Nigeria’s creation through British imperialism. Additionally subtleties the inheritances deserted in Nigeria, for example, the English language, culture, and presents a decent perspective on Nigeria’s generalizations and facts. Etymological and the Political Geography of Nigeria are likewise itemized. Recovered June 2004 from: University of Maryland. Symbols Americas Transatlantic Connections at: http://www.icons.umd.edu/americas/afr-am.htm The article features the contrasts between authoritative arrangements of British imperialism and Latin, French strategies. Brief and direct yet in addition contains connections to Organization of Africans in the Americas(Europe). O. Patricia Cambridge, Ph.D. (2000) Africa Untold. Ohio Univeristy Definite similitudes of the impacts of European settlements on Africa’s Religion, Politics, Economics, Women, Children, Men and Kinship.

Montage Hotel

What an incredible open door it was to visit a brilliant nursery at the â€Å"Montage Hotel† in Laguna Beach. The nursery extends around 700 feet in length and 60 feet wide on the west side of the Hotel by the Pacific Ocean. The nursery is raised around 50 feet over the sea with a dynamite 180 degrees see. Checking out blossoms could be considered all to be the spot as vivid as a rainbow Including all deferent splendid hues pink, red white and yellow. The pink and red blossoms have petals that flip around one another In an excellent rose structure as the size of a strawberry.The white and yellow blossoms are comprised of 5 petals and are the size of marshmallows. Palm trees with green leaves hanging are everywhere around 20 of them running from 10 to 15 feet, The grass appears as though green a velvet rug so slight and fine, and It Is extended In regions around the solid walk ways. The walkways are Like 5 feet wide and they bend with the common ground edge corresponding to the sea. Earthy colored wood seats ignoring the sea welcome to sit and appreciate the landscape their size is around 6 feet in length and 2 feet wide.The seats comprise of high level open air road furniture with premium hard earthy colored wood, molded and upheld by a traipsed steel outline. Individuals are perched on them and getting a charge out of the lovely sea view that is such a delight and can have enough of. A pergola beautifies one of the seating territories ignoring the sea; it is made out of earthy colored wood. The pergola is arranged in three areas with half hexagon shape. Each segment is around 5 feet in length and 3 feet wide. The Ocean is dark blue and appears to shimmer like jewels. The waves tenderly move with the south west breeze.The sand is as gleaming as gold and it is extremely smooth and light. Strolling on the sand feels like a butterfly flying everywhere. Earthy colored chestnut rocks lift in a portion of the regions close to the water it seemed as though an i deal slope for climbing yet there is a sign, put by the city ecological segment, forbidding any tress passers to save this valuable stone. Strolling along the sea shore the brilliant sun covers the territory with an undetectable cover of warmth. The sun shows an excellent representation of red orange and yellow hues, particularly during the remarkable amazing sunset.These beams spread through the blue skies like solid strings of fleece as they made the sky a riddle of hues all combined to give the completely flawless scene. As the sun begins to sit on the water it starts to dissolve and sink in the sea behind gimps of Catalina Island. Regardless of how solid tangible Images are accustomed to portraying this perfect work of art Garden, words can't depict the real excellence of this spot. It Is Indeed a bit of Heaven on earth. Montage Hotel By tomb be considered all to be the spot as vivid as a rainbow including all unique brilliant hues there in an excellent rose structure as the siz e of a strawberry.The white and yellow feet. The grass seems as though green a velvet floor covering so dainty and fine, and it is extended in territories around the solid walk ways. The walkways resemble 5 feet wide and they People are perched on them and getting a charge out of the delightful sea landscape that is such a Joy and can't have enough of. A pergola enlivens one of the seating regions disregarding gimps of Catalina Island. Regardless of how solid tangible pictures are utilized to put. It is without a doubt a bit of Heaven on earth.

Life :: essays research papers

Framework Theory: This foundation, together with a credible plot, persuading portrayal, and significant abstract gadgets, empowers D. H. Lawrence in â€Å"Jimmy and the Desperate Woman† to build up the subject that genuine men do assume liability. I.     D. H. Lawrence’s foundation affected him to compose the short story,      â€Å"Jimmy and the Desperate Woman.†      A.     One significant impact on the story is his folks.      B.     In expansion to his folks, another impact on the story is a  â â â â â â â â â relationship that he had with his better half. II.     To build up this topic, Lawrence makes a conceivable plot.      A.     Primarily, this plot is reasonable in light of the fact that Jimmy, the  â â â â â â â â â  â â â â â â â â â protagonist, faces a mental clash.      B.     In expansion to a reasonable clash, this plot is additionally authentic  â â â â â â â â â because Lawrence utilizes a determinant closure of strengthen the  â â â â â â â â â theme of the story. III.     Along with an authentic plot, Lawrence further builds up the subject of      â€Å"Jimmy and the Desperate Woman† by persuading portrayal regarding  â â â â the hero, Jimmy.      A.     Jimmy is a persuading character since he reliably is  â â â â â â â â â seeking the correct female relationship.      B.     In expansion, Jimmy is persuading character since his affection for           Clarissa persuades him to continue looking.      C.     Finally, Jimmy is a persuading character since he is similar. IV.     Importantly, Lawrence builds up the topic of â€Å"Jimmy and the      Desperate     Woman† by utilizing critical artistic gadgets.      A.     One of these gadgets is imagery      B.     In expansion to imagery, Lawrence likewise utilizes incongruity to create  â â â â â â â â â the topic. V.     After examining how the author’s foundation, the plot, the  â â â â characterization, and the scholarly gadgets add to the  â â â â development of the topic of â€Å"Jimmy and the Desperate Woman,†  â â â â one comprehends why this story rates high on the scholarly  â â â â scale of  â â â â value.      A.     One reason that this story rates high is that its motivation is to  â â â â â â â â â provide delight in addition to comprehension.      B.     Another reason that this story rates high on the size of significant worth is  â â â â â â â â â that Lawrence accomplishes the motivation behind the story byâ â â â â providing  â â â â â â â â â pleasure in addition to comprehension. A Critical Analysis of â€Å"Jimmy and the Desperate Woman† by D. H. Lawrence      D. H. Lawrence’s foundation impacted him to compose the short story, â€Å"Jimmy and the Desperate Woman†. One significant effect on the story is his folks. Lawrence was conceived in Eastwood, Notting Hamshire, on September 11, 1885 (The McGraw-Hill Encyclopedia of World Biography, Tedlock 369). Lawrence’s father began working in the coal mineshafts when he was only a kid. His dad was a coal excavator with next to no training. He couldn't have cared less about jumping on the planet and like a decent time with his companions at the bar (Artist and Rebel, Tedlock 1). Then again, his mother was a working class lady who was an instructor. The motivation behind why D. H. Lawrence mother picked her significant other was a result of his physical fascinate. Lawrence’s mother didn't need any of her kids growing up to

Aeneas, Turnus, and the Greater Labor - Literature Essay Samples

In The Aeneid, Virgil introduces the post-Homeric epic, an epic that immortalizes both a heros glory and the foundation of a people. The scope of the Aeneid can be paralleled to the scope of the Oresteia of Aeschylus, which explores the origins of a social institution, the Areopagus of Athens, and presents this origin as coinciding with a shift from the archaic matriarchal society ruled by the ties of blood to a civilized patriarchal society ruled by a court of law. Likewise, in the Aeneid, the founding of a civilization carries its own destructive consequence: the symbolic death of Turnus, and with it, the passing of an entire way of being. Virgil offers Turnus as a foil to Aeneas, in character and in culture, and TurnusÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s death, though relayed with compassion, is necessary to effect this transition from an archaic past to the creation of the Roman civilization.Virgil articulates the conflict between the existing structures of the home and city, a conflict that appears throughout the Aeneid, through his characterization of Aeneas and Turnus. In counterpoint to Aeneas and his essentially political orientation, Virgil gives Turnus a domestic nature. These associations arise in their actions during battle: Turnus chooses to burn Aeneas ships instead of setting aflame the newfound fortress of the Trojans. In contrast, looking towards Latium, Aeneas sees the city / free from the stress of war, intact, at rest. / Straightway the image of a greater struggle has kindled him (12.751-4). Though this is to be his promised land, Aeneas sets fire to the walls of Latium, begrudging this kingdom for its peace, rest, and walls, and recognizing that something must fall to allow something else to arise (7.153). This, Aeneas greater labor, moves him to act (7.55). While Aeneas razes walls, the structural images of domesticity, Turnus razes ships, symbols of imperialism, conquest, and the spread of civilizations. To further support the characterization of Turnus as oikos-centric, Turnus is championed both by Amata, the matriarch of Latium, and Juno, the goddess of marriage and hearth. AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ entry into the city will violate VirgilÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s image of the tender housewife at the hearth, her first task to sustain life, and forces the unraveling of the family structure (8.536). As Queen Amata looks out from her high palace and fails to see the Rutulians and Turnus, she commits suicide; her daughter Lavinia ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"tears at her bright hair and cheeks; King Latinus ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"defiles his aged hairs with filthy dust (12.813, 819). The social order of domestic life must be sacrificed for the genesis of a new and manifestly political Roman order.If Aeneas stands apart from the pulls of the domestic sphere, why does the family play such a prominent role in the Aeneid? How is this view of Aeneas as the debaser of the home reconciled with VirgilÃÆ' ¢Ãƒâ€šÃ‚â‚ ¬Ãƒâ€šÃ‚â„¢s account of an epic hero who bears his father and his household gods upon his back and his young son by hand as he flees, an exile from Troy? Although Aeneas has filial piety and fatherly love, these characteristics are analogous to his historical and political duty. For Aeneas, the preservation of his genealogical line and the founding of a civilization are of far more importance than the preservation of a household. As such, his sonsÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ sons, with unlimited fortune, unlimited time, and an ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"empire without end, play an instrumental role in bringing about the Roman ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"rulership of nations (1.390, 6.1134). Yet in this, too, in conserving Anchises and Ascanius, one must fall by the wayside. Aeneas journeys in the night through the fiery remnants of his captured city, ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"in fear for son and father, as his wife Cresa follows behind, and upon reaching the safety of the shrine, di scovers that ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"she alone / [is] missing ÃÆ' ¢Ãƒâ€šÃ‚€ gone from husband, son, companions (2.984, 1002-3). Cresa is the first in a line of persons sacrificed for the completion of AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"greater labor. Dido, a victim of a quasi-marriage to Aeneas, questions AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ piety and exposes its apparent contradiction:ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"This is the right hand, this the pledge of onewho carries with him, so they say, the householdgods of his land, who bore upon his shouldershis father weak with years? (4.823-6)Finally, Lavinia, whose hand, land, and kingdom inspires the Rutulians and Trojans to war, is pursued by Aeneas not through love or a desire for family, as in the case of Turnus, whose ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"love drives [him] wild and makes him even keener now for battle, but through a desire for civilization and walls (12.95-6). AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ t hree marriages traced through the Aeneid show increasing distortions of the household and hearth. Domestic sanctity is necessary primarily to allow divine prophecies to achieve historical realization, and is always secondary to political compulsion. Aeneas does not bear simply his father upon his back. He carries a greater labor: ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"Upon his shoulder he / lifts up the fame and fate of his sons sons (8.954-5).In addition to the juxtaposition of the domestic/matriarchal and political/patriarchal orientations of Turnus and Aeneas, Virgil portrays Turnus as being linked to the past but paints Aeneas with an eye to the future. Turnus spurs his men to battle by recalling the glory of their hearth and past, saying, ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"Let each / remember wife and home, recall the bright / acts and glories of his ancestors (10.390-2). When inspiring his men, Aeneas instead looks toward the future:ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"Perhaps one day you will remember eve nthese our adversities with pleasure. Throughso many crises and calamitieswe make for LatiumHold out, and save yourselves for kinder days (1.283-9).Tied to this opposition of past and future is the identification of Turnus with the traditional, insular, and self-contained kingship, while Aeneas is identified with a new system of social and political organization, that of the empire. The founding of this empire requires a breaking from tradition and custom, symbolically captured as the desecration of the wild olive tree of Faunus, where the Latins once hung votive garments and offerings.Heedless of this custom,the Teucrians had carried off the sacredtree trunk to clear the field, to lay it barefor battle (12.1020-3).As he prepares to dual Turnus, Aeneas cannot wrench free his spear from the deep root of the tree. Turnus cries for Faunus and Earth to hold fast the steel, citing the rites he has kept, the rites that Aeneas/ men have profaned by war (12.1032-3). But with Venuss help, Ae neas regains his spear. Custom, embodied in the tree, yields, and so, the necessary profanity of establishing a civilization is legitimized, allowing the shift from the traditional and archaic worldview to one that looks towards what is to come.Analogous to this characterization of Turnus as a dweller in the past and Aeneas as a creator of the future is the portrayal of Turnus as representative of a more lawless society, one that will be supplanted by the ordered society Aeneas will found, though this order will first be shadowed by warfare and conflict. King Latinus welcomes the Teucrians into his palace, asking them not to forget that the Latins need:No laws and no restraint for righteousness;they hold themselves in check by their own willand by the customs of their ancient god (7.269-71).Virgil presents the Rutulians, breakers of the truce, and Turnus, driven by the Furies, as restrained and driven by both their own free will and ancient gods (12.137). In contrast, Aeneas acts re sponsive of the orders of the gods but is fully aware of his own human agency: if fate had willed my end, he says, my hand had earned it (2.583). The hand of Aeneas, poised at the cusp between the primitive society he must displace and the ordered civilization he must found, has much labor ahead of him, but as Jupiter decrees:With battleforgotten, savage generations shallgrow generous. And aged Faith and Vesta,together with the brothers, Romulusand Remus, shall make laws (1.408-12).As in the Oresteia, the succession of institutions comes with a transition to greater order.As a foil to Aeneas, Turnus embodies the domestic and ancestral concerns of mankindÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s domain, which in the Aeneid must be supplanted by a new order that gives the state and future priority. The closing book of the Aeneid gives a disturbing account of the death of Turnus, a man [who] does not know the end / or future fates (10.690-1). Virgil writes, His limbs fell slack with chill; and wit h a moan / his life, resentful, fled to Shades below, capturing through his diction the hesitation and unease of TurnusÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s death (12.1270-1). However, his death should not be viewed as an impious and inconclusive act performed by the epic hero; rather, it is an obligatory and conclusive act, the compelling event that drives out the old establishment and allows the new establishment to enter.The necessity for Turnuss death is linked to VirgilÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s treatment of PallasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s belt. Throughout the Aeneid, works of art serve as triggers to AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ emotions, as in DidoÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s palace, when the frieze depicting the fall of Troy moves him to tears. Likewise, when he encounters the fallen Turnus, AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ wrath is initiated by the recognition of the belt of Pallas upon the Latins shoulders. PallasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ belt is described as po nderous, containing an engraving of a band of fifty bridgegrooms, foully slaughtered / one wedding night, and bloodied marriage chambers (10.683-6).And when his eyes drank in this plunder, thismemorial of brutal grief, Aeneas,aflame with rage ÃÆ' ¢Ãƒâ€šÃ‚€ his wrath was terrible ÃÆ' ¢Ãƒâ€šÃ‚€he sinks his sword into the chest of Turnus (12.1262-9).In this, the final recognition scene of the epic, Aeneas associates Turnus with the violence, plunder, and marital desecration to which he himself has had to resort in order to found his fated city. In addition, he associates Turnus with the destructive dwelling in grief from which he seeks to liberate himself, as the belt is both a ÃÆ' ¢Ãƒâ€šÃ‚€Ã‚ÂÅ"memorial of brutal grief and a memorial to brutal grief. In order to divorce himself from both the violence and the grief, Aeneas kills Turnus. TurnusÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™s death is the transitional climax of the grand-scale shifting of powers, lands, and peoples, but it is also the transitional climax of AeneasÃÆ' ¢Ãƒâ€šÃ‚€Ã‚™ heroism, allowing him to set aside once again a warrior ethos and human pathos and to embrace his role as founder of Rome, his greater labor. This role includes the building of great walls, the teaching of peace to the conquered, the sparing of defeated peoples, and the taming of the proud (6.1136-7). But like the shade of Turnus, who descends to the underworld unwillingly, and like the golden bough which yields to Aeneas only hesitantly, both transitions will not be easy, wrought with war, conflict, and suffering.

Shakespeares Use of the Supernatural in Macbeth Essay

The supernatural was a popular element in many of the plays written in Shakespeares time (including Hamlet) and everyone of Shakespeares time found the supernatural fascinating. Even King James I took a special interest in supernatural and written a book, Daemonologie, on witchcraft. It must be remembered that, in Shakespeares day, supernatural referred to things that were above Nature; things which existed, but not part of the normal human life and unexplainable. The play Macbeth involves many supernatural actions that act as a catalyst for suspense and thrill, insight into character, foreshadowing of future events as well as making connections with the theme. In the opening scene of the play, the entrance of the three witches†¦show more content†¦Scene iii. Line 58) is also an element of supernatural. Later on in the play, we found Macbeth constantly relying on the witches supernatural powers and their ability to call out the three apparitions, yet another symbol of the supernatural. Over here, the calling out of the apparitions as supernatural elements in the play could be intended to increase the thrill and suspense of the audience. At the same time, bear in mind that Shakespeare had the play performed for King James I, perhaps, the supernatural scenes on the witches is intended to cater to King James Is personal interest. It is also noted that the presence of the witches in every scene, is often accompanied by thunder and dark skies, as though Nature is disturbed and troubled by their presence and supernatural forces. The disorder and disturbance of Nature in the presence of the witches supernatural forces could also reflect the disorder portrayed in the play as soon as the Great Chain of Being was violated when Macbeth murdered King Duncan and assumed the throne. Terrible and peculiar incidents of the supernatural surfaced after King Duncan was murdered. Life literally, is turned upside down. The day was covered with darkness, and an owl; an untameable bird of night and death kills upon a falcon, a day creature and a royal companion. Also, King Duncans horses became mad and ate each other. (Act II. Scene iv. Line 10-19). These supernatural surfaced after Macbeths act ofShow MoreRelated Use of the Supernatural in Shakespeares Macbeth Essay652 Words   |  3 PagesUse of the Supernatural in Macbeth In Shakespeares play The Tragedy of Macbeth, Shakespeare uses an underlying motif of the supernatural to control the characters and add a new dimension to the play. Shakespeare uses a large motif of light vs. darkness throughout the play to present moral choices and religious ideas. When the play opens, there is thunder rolling around and the witches on stage. The thunder is symbolic of darkness and gives the audience the first impression that the playRead MoreShakespeares Use of the Supernatural in Macbeth Essay1249 Words   |  5 PagesShakespeares Use of the Supernatural in Macbeth When Shakespeare wrote Macbeth in the early 1600s the King of England was James I. James was king of Scotland too. He ruled in Scotland before coming king in England in 1603 as well. James was supposed to have descended from the real Banquo. Some people often think that Shakespeare wanted to flatter James I by writing this play by showing James that he was nothing like Macbeth. In Shakespeares play Macbeth it has beenRead MoreWilliam Shakespeares Dramatic Use of the Supernatural in Macbeth1013 Words   |  5 PagesWilliam Shakespeares Dramatic Use of the Supernatural in Macbeth Be sure to include the witches, the dagger, Banquos ghost, the apparitions and the Old man. There are many themes in Macbeth like ambition, loyalty and hypocrisy but Shakespeare has used the theme of the supernatural to create dramatic emphasis and suspicion. He has used the witches, dagger, Banquos ghost, the apparitions and the old man to create to add an element of the supernatural to Macbeth. Read MoreShakespeares Use of the Supernatural in Macbeth Essay example5126 Words   |  21 PagesShakespeares Use of the Supernatural in Macbeth The supernatural is widely used in Macbeth, and covers major sections of it. It is used to generate interest, and to provoke thought and controversy. At the time the play was written, James the 1st was the English monarch. James the 1st was originally James the 4th on the Scottish throne, until there was a union of crowns between England and Scotland in the late 16th century. Shakespeare wrote the play for him, so the Read MoreRole of Supernatural in Shakespeares a Midsummer Nights Dream1547 Words   |  7 PagesStudy of Shakespeares Use of the Supernatural (Penn State University, English 444.2: Spring 1998) by Fred Coppersmith Near the end of the opening scene of Macbeth, Shakespeares three Weird Sisters proclaim in unison that fair is foul, and foul is fair, providing us, as readers, with perhaps the best understanding of the plays theme and the tragic downfall of its central character. That this revelation -- this pronouncement that all is not well in Scotland -- comes from a supernatural or otherworldlyRead More The Supernatural in Shakespeares Works Essay1747 Words   |  7 PagesThe Supernatural in Shakespeares Works No one questions the fact that William Shakespeare is a pure genius when it comes to creating immortal characters whose characteristics transcends those of the normal supernatural beings, but most students of literature agree that his uses of the supernatural aren’t merely figments of his creative imagination. Every man, woman, and child is influenced by the age into which they are born and Shakespeare was no exception. Not only does his use of supernaturalRead MoreMacbeth Themes899 Words   |  4 Pages â€Å"What are the major themes in Macbeth† By Connor Maguire William Shakespeare’s Macbeth a play complete with many themes and viewpoints. The themes are exhibited by the main characters of the play, notably antagonist Macbeth. Themes seen in the play include ambition, where is is portrayed as both dangerous and unnatural. However, it does exist in both good and evil forms in the play. Another theme seen is whether Macbeths actions in the play are a result of fate, or free will. Although outsideRead MoreWilliam Shakespeare s Macbeth As A Tragic Hero985 Words   |  4 PagesWilliam Shakespeare’s Macbeth (published 1623), a masterpiece, because of the number of issues it deals with in society both in Shakespeare’s time and modern society. He is regarded as the greatest English playwright of all time and has written many magnificent plays over the course of his lifetime. Shakespeare’s plays are still significant today as they cover many issues that we continue to face, such as racism (Shylock in Merchant of Venice), love (Romeo and Juliet), and the mysterious supernaturalRead MoreSupernatural Soliciting Within Shakespeare s Macbeth1728 Words   |  7 PagesNovember 6th, 2017 Supernatural Soliciting within Shakespeare s Macbeth Shakespeare’s Macbeth is broadly known as a cursed play by a myriad of individuals globally. Given its appalling history of death and disorder, as well as the supernatural elements present within the play, many have come to the latter conclusion. To add, Macbeth is also a tragedy, adding more malediction to the already allegedly accursed play. To create such a tragic, ill-fated play, Shakespeare uses a vast variety ofRead MoreThe Importance of the Theme of the Supernatural in William Shakespeares Macbeth951 Words   |  4 PagesThe Importance of the Theme of the Supernatural in William Shakespeares Macbeth The supernatural in Elizabethan times was seen as a very real threat to society. The public thought that there were such things as witches who could perform acts of the supernatural such as turning humans into animals and causing changes in the weather. Any mention of the supernatural in these times scared the public and many people, mainly women, were executed on the thought that they

Child Labour NOT Always Wrong Essay Example For Students

Child Labour: NOT Always Wrong Essay A young child dies from exhaustion, their limp body has been pushed to the very limit and they finally give in to death and another child has just become a statistic. This child was not even eleven years old. They had just completed their twenty hour day and then stumbled home 6 miles from where they were working. They saw their house in the distance which gave them hope to keep on walking. They dragged their feet towards the corner where they slept; their eyes are drooping not just from physical tiredness but from the pain of living this way. The last thing this little child saw was darkness, the last thing this weak child felt was coldness and the last thing this unfortunate child could do, was give up. At last this child is able to rest. This child was a victim of child labour. So, I ask you; is child labour morally right? I will argue that the exploitation of children is always wrong but that sometimes child labour is a necessary evil. I will also distinguish between child labour and child work. According to UNICEF, there are an estimated one hundred and fifty eight million children aged five to fourteen in child labour worldwide. Millions of children are engaged in dangerous situations or conditions, such as working in mines, working with chemicals and pesticides in agriculture or working with dangerous machinery. They are everywhere but invisible, working as domestic servants in homes, labouring behind the walls of workshops, hidden from view in plantations. If there is nothing wrong with child labour, then why is the exploitation so secret? Do you ever wonder when you go into certain shops how a handmade t-shirt can be so cheap? Or on the other hand, products which are sold to us at extremely high prices and we assume. .elivers newspapers before school might actually benefit from learning how to work, gaining responsibility, and a bit of money. If a child has a part time job they can learn the value of money. So I believe that the issue of child labour is not simple. As Unicef’s 1997 State of the World’s Children Report argued, children’s work needs to be seen as having two extremes. On one hand, there is the destructive or exploitative work and, on the other hand, there is beneficial work promoting or enhancing children’s development without interfering with their schooling, recreation and rest. ‘And between these two poles are vast areas of work that need not negatively affect a child’s development.’ My firm belief is that there is a difference between child labour and child work and that in both cases the issue is whether or not the child is deliberately being exploited.

Common Core Essay Question Samples

Common Core Essay Question SamplesCommon Core English essay question samples are an important part of many English writing tests. Because they are given in conjunction with the primary writing sample, having a copy of the essay to use as a comparison can be useful. Not only will it help you with the essay writing portion of the test, but it can also be used to help identify weaknesses that you may have. Many students find that when using this method, they can eliminate a lot of the essay writing sample questions that they encounter.Common Core English essay question samples provide students with a basis from which to begin writing their essays. They help students understand what each of the test items means and give them a good idea of how to word their own sentences. This is all essential when taking an essay test.The kind of writing that is written on the essay test can vary quite a bit. When writing for a writing sample, students tend to write about their experience. On an essay t est, they tend to describe their knowledge about the topic. That knowledge can be represented in a number of ways.There is a lot of written information that does not need to be described in words. These are referred to as data points. Students need to know these points and know how to structure a paragraph so that they can incorporate them into their essay.It is quite common for a student to want to go over the basics, such as the most basic ideas that they are learning. They can come up with some really interesting insights that other students have not seen before. Students who do this often find that they do not get as far as they might have otherwise.As students progress through the curriculum, they start to move beyond the basics and start to write more complex pieces. These can help them increase their writing skills and knowledge in other areas of the English literature. They can also improve their oral communication skills.Students should learn how to make an argument when wr iting an essay. The reason for this is that if they are not able to make their case, they are likely to lose out on the essay. In order to convince others that their position is valid, they need to write convincing arguments.Students who are taking the Common Core English Writing Assessment test need to look carefully at the Common Core English Essay Question samples that they find. They can use this information to make an educated decision about which essays they want to write. There are many different essay questions, and each of them will need to be treated differently.